For a while, Foals was a band I was
reluctant to listen to because of how much they had been talked up to me. Whenever I listen to a record for the
first time I want to go into it with very limited expectations so that I can
form my own opinions about the experience. I am lucky to be in a position where I can sit down and
listen to an album from start to finish, reflect and let the album digest, then
pop it on in the car and catch nuances or subtleties I missed the first time
around.
I finally got around to listening
to Foals, Holy Fire, their 3rd studio full length (released February
11th 2013). Holy Fire is
filled with infectious Minus the Bear-ish guitar riffs and plenty of low
grooving bass. A sonic watercolor
painting full of ambient textures layered underneath Yannis Philippakis’ smooth,
rhythmic vocals, complete with big roomy drums that give the record an honest
feel.
The songwriting is strong and the
songs sound confident on their own and as a part of the whole record. Sonically you can hear a touch of Fleet
Foxes in the vocal tone, and the presentation of the lyrics. The guitars sound fantastic, and have
their own character. It is clear a
lot of time was spent making sure the layers were tasteful and with purpose.
“My
Number” moves with delayed guitars that could make The Edge jealous, and hooks
that put Foster the People to shame.
Rather than rely on gimmicks, these songs stand out as well thought out,
well written, well played and well recorded. Holy Fire is worth 50 minutes of your undivided attention.
Get your copy now!
Get your copy now!
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