Cruel

Before she began composing and performing her own quirky, intricate pop songs, Annie Clark proved her musical prowess as part of Glenn Branca's 100 Guitar Orchestra, as guitarist and background vocalist for the Polyphonic Spree (on their third album, Fragile Army), and as a member of Sufjan Stevens' touring band. Contrast has always been a major part of her music, and Strange Mercy's juxtapositions of harshness, softness, truth, lies, cruelty, and kindness feel especially pointed and potent. Most apparent is her use of opposing sounds; working with producer John Congleton, she focuses on luxurious strings and woodwinds that float above wobbly keyboards and ugly, distorted guitars that emphasize that these songs are under pressure. Less obvious are the emotional shifts many of these songs undergo, and how they blur the album’s contrasts.

On the title track, Clark goes from vulnerable to protective to violent as she sings “I’ll tell you good news that I don’t believe/If it will help you sleep,” and on “Champagne Year,” she confesses and deceives at the same time. “Cruel” is Strange Mercy's definitive track, putting inspired lyrics like “They could take or leave you/So they took you then they left you” atop strings and woodwinds straight from a vintage musical and a messed-up, fuzzed-out guitar solo. The song gets increasingly anxious as it closes, a pattern Clark repeats throughout the album; indeed, while these songs are some of her most fragmented, each song on Strange Mercy is tied to another.

Strange Mercy is St. Vincent's most reflective and most audacious album to date, and Clark remains as delicately uncompromising an artist as ever.

Take a listen to "Cruel" here.


Buy your copy of St. Vincent's Strange Mercy here (get it while it's hot!).