30 January 2014

Sigur Ros-Heima and the Importance of Music That Moves You

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I have felt a bit downtrodden recently.   The normal day to day occurrences that cause us all stress, the biting cold of the winters in Rochester, whatever your gloom, it is something we can all relate to.  Some of us lose ones we love, through death or through the end of relationships, and it hurts. It takes the warmth in our chests and replaces it with an emptiness that feels as though it will never be whole again.  We could wallow in self-pity, we could get angry at ourselves, or at the situations we are in.  Or we can accept these things for what they are, and put on a Sigur Ros record.
Towards the end of next month (February 21st) the Alternative Music Film Society will be screening “Heima”.  A documentary that follows the Icelandic post-rockers back to their homeland to play a series of shows for free, some in fields that look like they were pulled right out of middle earth, some in old defunct bomb shelters, some in the middle of a village.  They decided to go home and remind themselves and their countrymen that they knew where they came from.  I would highly recommend attending this film.  It is life changing.
I can still remember the first time I ever heard Sigur Ros. It was almost 6 years ago now.  I was driving down Norton St. heading towards the 590 on-ramp. This was right after the girl I had been dating for close to a year called me, to tell me she had met someone else.  Cliché?  Incredibly.  However, this is an integral part of the story.  My body felt devoid of feeling.  I felt incredibly alone, betrayed, and confused.  The CD in my car had a mix of songs I had never heard, songs that my older, wiser cousin Pat had recommended to me.  To this day he has never steered me wrong when it comes to music.  He had been telling me about this Icelandic band I had never heard of, and how it would literally change the way I looked at the world, and the way I thought about music. 
I put in the mix CD and turned the volume all the way up (the way you do as a 19 year old whose heart has just been broken).  I heard the first few notes slowly fade in, an ambient wash of bells, reverb drenched guitars and glockenspiel.  It grew and grew, and as I saw the sun over the peak of the hill, the most beautiful piano melody that (to this day) I have ever heard embraced me in its gorgeous intervals.  The song (which I would later discover was called “Hoppipolla”) made this metaphorical light inside me grow, and slowly warm my chest, my hands, and my face.  I felt tears rolling down my cheeks, unrelated to the “heartbreak” I had just experienced.  For a moment I felt as though I was floating.  I felt this huge wall of beautiful sounds lifting me from my seat, and placing me in a world that was devoid of anything ugly or morose.  The song reached its climax and then dropped to just a layer of ambience and a lead vocal line.  The vocalist sang a string of words I couldn’t understand, “Og ég fæ blóðnasir. En ég stend alltaf upp.” At that moment it didn’t matter that I didn’t understand the language, I connected to it.  As the vocal phrase finished, the enormous wave of sound returned more triumphant than before.  I felt goose-bumps form on my arms, I let the unbidden tears flow, I was one with everything.  As an army of trumpets took over the vocal melody I turned onto the 590 ramp, felt the sun’s warmth on my face and smiled through the tears.  I knew someone had felt exactly as I did that very moment, and had captured it in this song.  I knew this was a pivotal moment in my life.  I knew I would never forget it.
Last week, the relationship I had been in for 3 years ended abruptly.  All the emotions I thought I had experienced and understood came back like a storm.  I couldn’t bring myself to get in my car that day.  I walked to work in the snow.  I wanted to feel something, even if it wasn’t pleasant, and as my iTunes shuffle began, the quiet build I now knew well, “Hoppipola” swept me away, and once again I smiled through the tears, through all the pain that I felt inside, and I let it wash over me again. As empty as I felt, as cold as I was, and bitter as that winter morning’s frozen kiss on my cheeks felt, I let the warmth return to me.  I felt at peace.
I know this isn’t my typical blog post.  I apologize to those of you expecting my normal semi-sarcastic-analytical-run-on-sentence laden post.  I am sorry to bear my soul, but in order to understand how powerful the music that Sigur Ros makes is, it needed to be contextualized.  I hope that anyone that is feeling hollow, or broken, or cold can take the same feeling of unbridled joy and sheer awe that I did from Sigur Ros.  My cousin was right.  Sigur Ros changed the way I looked at music.  They changed the way I saw the world.  On the 1 in 7 billion chance that someone from Sigur Ros is reading this, I want to say this...I don’t know your reasons, I don’t know your inspiration, I can’t speak your language, but you have given me something that I will never be without.  You have given me hope, and I will share it with anyone who will listen. 

If you can attend our screening of Sigur Ros’ “Heima” on 2/21/14 I suggest you do so.  It is truly a touching testament to a band who does it for all the right reasons.  If you can’t make it, and want to check them out, come in and see us at Lakeshore, we have their whole discography on CD and vinyl, most of which you will find no where else.  And thank you everyone who read this.  It was very therapeutic, and if nothing else, even if you never agree with my recommendations, I hope that there is music that moves you on this level.  Everyone deserves to have hope.
Listen to "Hoppipolla" By Sigur Ros

23 January 2014

Mister Heavenly - Out of Love

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                                                         Mister Heavenly – Out of Love
             Every once in a while “super-group” doesn’t mean “super-shitty”.   As rare as a vile of dodo blood, when a truly inspired “super-group” is born, it means we should all take heed. 
             Mister Heavenly is Ryan Kattner (of Man Man), Nicholas Thorburn (of Islands, and the Unicorns), and Joe Plummer (of Modest Mouse).  They released “Out Of Love” in 2011 on Sub Pop Records.  According to Kattner, "It actually sounds like a mash-up of our (Kattner’s and Thorburn’s) two styles. For the Man Man stuff, if you like our doo-wop-y stuff, 'Doo Right' or 'Ice Dogs,' that vein. If you like what Nick does, the stripped-down pop stuff and the Unicorns stuff, it's like that."  In a press release, Mister Heavenly described themselves as “doom-wop”…Totally accurate description.
             The album begins with one of the best opening songs I’ve ever heard on a record.  “Bronx Sniper” eases the listener into the album with Thorburn’s quiet breath-y voice, almost as if it is a calm that will inevitably give way to a total indie-freak-out-nor’easter.  The introduction quickly gives way to dirty guitars, aggressive piano, and Kattners signature melodic growl-crooning. 
            As a whole, the album does a great job of combining the best elements from all three members respective bands, and makes for an exciting listen. 
Listen to "Bronx Sniper"

14 January 2014

Weekend – Jinx

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After several months of listening booth circulation, and internet-buzz, I decided to objectively listen to Weekend’s Jinx.  It took me a few listens to understand the appeal, which I admit doesn’t make a great case for the album, but the thing is, its super textural and adequately layered.  And after popping it into our trusty CD player and listening to it over the speakers at Lakeshore, I really do enjoy it.
            I had a hard time placing Jinx amongst new bands sonically, and when I asked Andrew (the owner of Lakeshore) what he thought, he said Jinx sounds like “pornography” era Cure/early indie-guitar-rock.  This was a pretty spot on description for the album.  Although…I can hear a lot of background-feedback-layers and a much more dense sound than most of the Cure’s work.  The guitars are drenched in reverb and delay, with a little clean jangle on the top.  There are layers of buzz saw-y synths, and a tinge of “Doolittle” era Pixies. 
I love the production approach to the album.   It is hard to pin down the influences, since it sounds both new and old at the same time.   There is a hint of Simple Minds to the vocals (and yes this is the most referential blog I have done to date), but the album gets really noisy (and remains melodic) around halfway through the record. 
It is a nice throwback sounding record, and I really enjoy the idea of being both new, but still paying homage to their influences.  I know I’m going to listen to it a few times throughout the week, to make sure that I can understand it a little better.   
They have gotten pretty noteworthy placements including mention in Sports Illustrated, in addition, their song “End Times” was used in the promotion of the sixth season of Dexter.
Listen to "Mirrors" by Weekend

07 January 2014

Childish Gambino - Because The Internet

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Donald Glover has been a busy man.  At only 30 years old, he has achieved success in almost every artistic endeavor he has taken on.  Writing for the wildly successful “30 Rock”, playing college student Troy Barnes on NBC’s Community, all the while writing and recording under the stage name “Childish Gambino” (the name was supposedly the product of a Wu Tang Clan name generator). 
As rappers go, Glover dwells somewhere between Busdriver and a super self aware Drake.  His new album “Because the Internet” is as meta as it gets. with Admiral Akbar references, some of the best puns and punch lines put to beats, and with actual writing talent to back up his new found confident delivery.  Even when he sounds unsure, it doesn’t detract from the album, it almost adds the depth that Glover has become known for in most of his work.
There is something endearing about Glovers lyrics even at his most boastful moments.  Maybe its because he DOES legitimately get money, but never finds the need to strait up say “I get money” or “I f***ed some b****es”.  That kind of stereotypical self-assurance seems beneath him.  Instead he finds eloquent ways to say inelegant things. “More green than my whole foods, and I’m too fly, Jeff Goldblum” (which I’m assuming is a pretty cool way to say that one has money, smokes a lot of weed, and is cooler than most, by way of making a reference to a movie that came out when he was 3).  It is also hilarious.  In part because it is hard to imagine Glover as someone other than Troy from “Community”, but also because it does seem like he is several different people over the coarse of “Because the Internet”.  He has no problem expressing self-doubt and even a sense of self-loathing in his lyrics.  Somehow he bounces back from the depths of depression to archaic cultural references delivered by the second (which should be expected from a 30 rock writing alumni flexing his linguistic muscles).
I do get the distinct impression Glover is making fun of other rappers.  Not that he name drops in a negative way, or calls anyone out directly.  Instead he just does nearly every facet of the genre so well that it just seems like he is subconsciously letting everyone else in the rap world know that not only is he going to participate in their game, he is going play it better, and then make new rules.  Hopefully other players can learn them.
Ludwig Göransson (known for his work on Community, New Girl, and Happy Endings)  produced the album with Glover at the mansion of Miami Heat’s Chris Bosh in LA (which Glover would dub “The Temple”). Just today I’ve listened to the album two times in a row.  I wanted to catch the subtleties of the production and the syncopation of the vocals around the spacey, understated and sometimes sparse beats.

In addition to the album itself, On December 6, 2013, Glover released a 75 page screenplay designed to sync with the album. It was revealed on the website becausetheinter.net.  It is safe to say that Glover is serious about his musical career.  Having a laundry list of successes in several mediums, it is anyones guess what he will do next, seeing as he has bounced around from screenwriting, to stand up, to acting, and rapping.  If Donald Glover can continue to be as prolific as he has been over the past few years, we can continue to expect great things.

Listen to "The Worst Guys" By Childish Gambino



Buy "Because the Internet"