With over two decades under their collective belt, it's hard denying Primal Scream's status as a contemporary legacy band. Culled from the depths of Brit-rock austerity and flavored to taste with a patented blend of gospel chorus and warehouse dance grooves, Bobby Gillespie and company have cultivated an ever-expansive 11 album library with rarely a detour. Often brash, rarely subtle; each album executively demonstrates a confidence and panache so many bands flail to evolve toward- AND THEY COME BY IT NATURALLY, almost scoffing at the formative norm.
Their latest offering, "Chaosmosis", finds the band venturing into familiar waters in modern ships. The usual trappings and tropes are on full display- the half-in-the-bottle sauntering guitars, the textural synthlines- only this time there's a polished pop sheen in the execution. With the borderline hero-worship aid of newcomers like Sky Ferreira and the ladies of Haim, Primal Scream teeters on the edge of the youth market (while simultaneously making a healthy jab or two, as per usual). Streamlined are the spacey, elongated instrumental musings of their prior work on "More Light"; finding them at their hookiest and most exuberant. Let no words be minced on the subject- Primal Scream make Primal Scream records- and "Chaosmosis" is a prime example of them doing what they do best.
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